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The Introduction to the Development of the Wusia Comic in Taiwan

      The fascinating wusia novels inspired cartoonists with plenty topics, and story lines. Like the wusia novel, the wusia comic is also a familiar resource for recreation, for which the number of readers and fans are the evidence. However their positions in the academic area are not yet being fully recognized.

      Political interference had hindered the development of the comic in Taiwan before. During the Japanese occupation, the topics of comics were strictly inspected by the government, and because of this the two cartoonist Yang Guocheng and Chen Jijhang was once put into jails. However, the first local cartoonist Jilong Sheng, whose real name was Chen Binghuang, came on the scene and was very popular in this period.

      When Taiwan was just recovered, the first general magazine, Sinsin Yuekan, offered the space for cartoonists to publish their works. However, because of the shortage of fund, this magazine only lasted for 8 issues. The other magazine, Taiwan Huakan, and the comic storybook by Wang Chaozong were also the pioneers in Taiwan.

      The wusia stories such as Lyu Sihniang and Fan Lihua were revised to become comics by the cartoonist Chen Dingguo in the 50s, when the anti-Communist comics such as 'Tubaozih Sia Jiangnan,' 'Niubobo Dayouji,' and 'San Shugong.' From the end of the 50s to the beginning of the 60s, the wusia comic reached its highest peak ever in Taiwan. The first way came when both the comic series, Siaosia Longjyuanfong, by Chen Haihong published on the magazine, Mofan Shaonian, and the comic books, Jhuge Silang, by Ye Hongjia were launched.

      In the 60s, You Longhui, who was the student Chen Haihong, made a big hit by launching the comic book, Chouduan Dabieshan. And many cartoonists and their works were introduced to readers by both the comic weekly, Manhua Jhoukan, and the publisher, Wunchang Chubanshe. Among the cartoonists, Syu Songshan and Ye Hongjia both had their own studios, which rapidly produced new comics to adapt to the marked.

      The comic censorship practiced in the end of 60s restrained the blooming condition in the wusia comic circle, and brought this golden period of the wusia comic to the end. Until the 80s, when the comic, Wulong Yuan, by Cai Jhihjhong was launched, the Taiwanese comics once again attracted the readers. This book by using an ironic to make fun of the popular kung fu movies and the wusia TV series 'Chu Liusiang.' Later on the book, Cihke Liejhuan, by Jheng Wun was also a big hit. Jheng Wun's other works such as Dongjhou Yingsiong Jhuan, Shensui Meilide Yasiya, and Wansui, impressed many Japanese readers, so he relocated in Japan to develop his career there.

      In the 90s, there were many young cartoonists published their refined works on the popular comic magazine, Long Shaonian. The well known newcomers include Cai Hongjhong, Jheng Youcing, Liao Wunbin, Wu Yuci, Liao Yousian, Lian Ren, Du Lu, Ren Hong, Sun Sing, Chen Guo, Gao Ruichang, Li Hongsin and Huang Mincheng.